Throughout my life, I have listened avidly to stories of my family. It was no different when I married my husband and heard stories of his family. I turned my own stories into a novel, UNDER THE ALMOND TREES and I’m currently working on ALOHA SPIRIT a story of my husband’s grandmother. The picture at left is his grandmother, mother, and aunts in Honolulu just before World War II. When writing these stories, I can’t be completely accurate since I don’t know all the details of the person’s life. It can’t be a biography. Dialogue has to be invented, as well as what I call the filling in between known events. For this reason, I’ve stopped saying these novels are about my family and begun saying they are inspired by family.
Family stories may be the inspiration, but they cannot carry a novel on their own. Even so, the first source of deeper information is the family. I took the older members of my family aside and urged them to tell me the details–where they went to school, what their mother made for dinner, which was their favorite relative, and who fought with who. My sons were working on a genealogy merit badge in Boy Scouts when they interviewed their great-grandfather. He was born in Honolulu in 1918 and was a civilian ship fitter at Pearl Harbor when it was bombed in 1941. His first-person view of the event was incredible, but his personal reactions were priceless. He told how he wanted to hide during the attack, but his boss made him go out with a crew to remove scaffolding from a ship. He hid behind turrets on the ship as the Japanese planes flew over. I wish I’d had my novelist’s eye that day and asked him about how he got to work, how long a day he worked, what he’d had for breakfast, and what the family said when he got home. Those are the details that make a novel.
Grandpa’s experience is a tiny part of my novel ALOHA SPIRIT. I had to research a lot about territorial Hawaii–the years between the fall of the monarchy and statehood. I didn’t care so much about the politics of the sugar plantation owners. I wanted to know about daily life. When did they get televisions, cars, radios? When were the hotels built on Waikiki? I read historical fiction set in Hawaii to get a feel for the era, and nonfiction for accuracy. There are many details I couldn’t find or that I had to change to fit my story. I can do that, since it’s a novel and not a biography.
The hardest part is showing the finished work to living members of the family. I think they understand that I intend it to be a tribute to our ancestors, but I’m sure they have a different view of the characters and events than I do. When I exaggerate a negative trait, I’m trying for greater conflict to improve the novel’s pacing, not to ruin a person’s reputation. So when you read my novels, keep in mind that they are novels. A lot of it is made up! Enjoy them as fiction. If you absolutely must know if something really happened, send me an email. My hope is that readers will be as inspired by the characters in my novels as I was by the women who inspired them.
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